Morality, Sensuality and Eroticism in The Lyrics of Koplo Dangdut’s Song and English. Surakarta: STIKES PKU Muhammadiyah Surakarta. In The 7 Th University Research Colloqium 2018 STIKES PKU Muhammadiyah Surakarta.

Representasi Multikultural Dalam Pertunjukkan Musik Koplo dangdut. Gaya Bahasa Repetisi Dan Perbandingan Serta Pesan Moral Pada Lirik Lagu Genre Koplo dangdut. The Aesthetic as the Science of Expression of the Linguistic in General. In Anthropological Approaches to the Study of Religion, edited by Michael Banton. New York: The Free Press.įaruk, H.T., and Apriuns Salam. Journal for the Scientific Study of Religion 12 (2).ĭurkheim, Emile. The Five Dimensions of Religiosity: Toward Demythologizing a Sacred Artifact. London: The Rough Guide.Ĭlayton, Richard R., and James W. The Journal of Aesthetics and Art Criticism 23 (1).īroughton, Simon, and KIm Burton, eds. Yogyakarta: Pustaka Pelajar.Īrnheim, Rudolf. Lirik Lagu Dangdut Kekinian (Kajian Semantik). Perempuan Dalam Lirik Koplo dangdut Dimaknai Pekerja Keras Dan Curhat ‘Melas'. Religious expressions that appear in the stage of religious koplo dangdut are artistic expressions which include dimensions of belief (ideology), experience (ahlak), and knowledge.Īdhitama, Bagas. However, the religious side of the Koplo dangdut music genre still appears in the religious koplo dangdut sub-genre. Koplo dangdut, which is famous for its vulgarity and directness in the lyrics of the song, reflects the cultural conditions of the song performers with a background in coastal Javanese society. The main data in this study is the religious koplo dangdut music video from YouTube. The study is conducted with an ethical perspective, where the writer only observes without being directly involved in the object of observation. This article examines Koplo dangdut as the cultural identity and religious expression of coastal communities, which is seen as a cultural reality, with an anthropological approach. The development of music in Indonesia in the past two decades gave rise to one of the dangdut music sub-genres, known as Koplo dangdut, which in its performance also often inserted religious messages and presented them in the religious Koplo dangdut format.

Religious messages and da'wah are often displayed in the packaging of musical art and bring religious music. Religion and music are two things that have a relationship with culture. Humans and culture are two things that are interrelated and cannot be separated from each other.

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